Exhibitions - Past & Upcoming
The Nomenclature of Colours III
Ruth Grimberg and I’s collaborative lightbox Fragment, was selected for Slade School of Fine Art’s Nomenclature of Colour III 2025 online exhibition.
Ticky-Tacky
CityLit Gallery, 1-10 Keeley Street, London, WC2 4BA
All That We Hold Deeply Becomes a Part of Us is a quiet tribute to my mum’s love of organisation—a habit of storing everyday things in layers of boxes, tucked neatly into drawers and cupboards.
I re-created these boxes as small sculptures, suspended in time. Each one holds a trace of memory: some are lined with prints of her mum’s doilies, another made from one. Others contain hand written text, family photographs, the house she grew up in. Each box casts delicate shadows that stretch beyond utility, suggesting memory, absence, and quiet order.
This work is both a reconstruction and a reverence—each box holds a memory of care. A quiet kind of love, wrapped and contained.
Reverse, Process, Manifest
Standpoint Gallery, 45 Coronet St, London N1 6HD
This piece, Fragment, resulted from a collaboration with Ruth Grimberg and was shaped by a shared experience of loss—the loss of my mum and Ruth's mother’s fading memory. We sought a way to bring our different practices together. We experimented with scale, light, and color to merge our distinct approaches. Ruth worked with soluble onion skin dyes combing with soluble mineral salts to form an insoluble bond within the fibers of the cloth, a semi-permanence amid transformation. The cloth, a tactile symbol of comfort and fragility, stretched and flattened across the lightbox's rigid frame bound to fade, soften, darken, and dull, as tenuous as memory’s hold. My mother’s doilies, once placed purposefully around the house, are now pinned together against a window in her home, filtering light and casting shadows. In our Lightbox installation, Jennifer’s fragile, semi-translucent tissue paper photographs of her mother’s doilies and my screen-printed fabrics are laid closely together— dark lines where the pieces overlap cut through the soft blue inks, orange, and brown dyes. The light shining through the work brings out the grain and texture of the paper and fabric creating an artificial brilliance that vanishes when the light fades.
Coast Exhibition
The Photocopy Club held a curated exhibition of work around the subject of Coast: Exploring the edge of the land. My image, Chair with a View, was selected and exhibited in The Grays Wharf Gallery, Penryn, Cornwall. The photographs selected for the exhibition were then collated into a Zine which was published and sold in 2025.
London Institute of Photography Show
91 Brick Lane, London, E1 6QL
A personal project, Welcome Back Home, created during the professional photography course was selected for the end of year LIoP show in June 2024. This work explored loss and absence, Do we feel the resonance of what a person leaves behind in a space even when they are no longer there?
